11 December 2024
/A couple of essays from me about writing novellas: Thoughts on how to win a novella contest at Jane Friedman. And thoughts on indulging in the beauty of novella writing (and reading) at Writer’s Digest.
A couple of essays from me about writing novellas: Thoughts on how to win a novella contest at Jane Friedman. And thoughts on indulging in the beauty of novella writing (and reading) at Writer’s Digest.
“I swore I’d never own a dog in the city. Then my neighbor gave me two.” I have a small essay in the Wall Street Journal about living with shelties in NYC. There are pictures.
My novella LIFE / INSURANCE is available for pre-order (shipping in December) at Regal House, at Amazon, and at Bookshop.
I have 2 new place-based poems in Packingtown Review: “Glitch” is set in my current neighborhood, the Financial District of NYC; “Fable” is set in my old neighborhood of Bermondsey in London.
I have a new flash piece online at Reflex Fiction. The title is “Magic/Show,” and it’s a bit of an ars poetica.
My novella manuscript titled Life / Insurance has won the 2022 Fugere Book Prize from Regal House Publishing and will be coming out in 2024. It’s a collaged novella about a collage artist trying to piece together her life by questioning her husband, a composer who is unable to talk.
I have a new flash fiction (“Elevator Repair”) in LEON Literary Review. (Reading time is about the length of an elevator ride.)
I have a tiny story called “Big Game” online at Unstamatic.
A selection from my unpublished novella manuscript called Life/Insurance is featured in Weekend Excerpts at Los Galesburg press. Here’s a sample: “What I mean is that I can’t imagine what it’s like for you. To be stuck, trapped, wrapped up in all these bandages. Unable. Do they have a balm?”
I am going to be at the Tucson Festival of Books, March 14-15, and reading from an unpublished novel manuscript, an excerpt of which won the festival’s Fiction Prize this year. I will be on a panel with other award winners to discuss our work and answer questions (on Sunday, March 15, from 1pm to 2pm, at the Student Union Sabino at the University of Arizona campus). More details here.
The manuscript I’ll be reading from is called “Life/Insurance,” and it’s a collaged novel about a collage artist whose husband is immobilized and uncommunicative while she tries to piece together what happened to him and what happened to her life.
I have a new creative nonfiction piece (“Word” in Construction magazine) that is about the construction of a creative nonfiction piece.
I have been collaborating with artist Holly Pobis and have written a series of micro fictions (and poems) to accompany her hand-colored photographs of South Carolina coastal scenes. The art is for sale at Etsy shop MarshAndLight.
I have a new flash piece (“On the Edge of Chinatown”) in Unbroken, a journal of “prose poems and poetic prose.” A sample: “The window washers must stop before the storm starts. That work takes forever, back and forth, erase a streak, remove a line of water.”
I have a short-short in the new issue of Passages North called “Group Tour.” It was inspired by some complaints my mother-in-law made about traveling. “Other people had leg cramps while walking through the ruins. Or they talked on the phone late at night, telling everyone that everything was beautiful.”
“Bits of autobiography” in fiction “provide a different texture, the way different kinds of paper work together in a collage.” —my thoughts on mixing personal experiences into your work in “Filtering Fact through Fiction” by Jack Smith in the August issue of The Writer magazine.
That Night Alive is the featured book this week at Snowflakes in a Blizzard, which highlights under-the-radar books. (I answer questions such as "Why this title?" and "Why would someone want to read it?")
“I dream of the shine and the finish: the bangles and rings. Silver and gold.” —from “Mirror Finish,” winner of the 2017 American Literary Review award for nonfiction. It’s an essay in fragments about metalsmithing, about writing, and about (city) living. You can read it online in the Spring issue.
I have a new poem (“Loading Zone”) over at Barnstorm journal. It’s about a walk in New York City—or a million walks, really. “Someone is sweeping up the trash, / someone is being swept away.”
“Metalsmithing sounds serious, ancient, mysterious. It sounds dangerous. Maybe I’m mistaking it for alchemy.” My essay about metalsmithing (and other things) is the winner of the 2017 American Literary Review award for nonfiction (it will appear in the Spring issue).
"In a novella, nothing is a distraction. There is no filler." One of my thoughts about the genre in "The Novella: Stepping Stone to Success or Waste of Time?" by Jack Smith, online at The Writer magazine.